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Switchable coloured active glass

DGF Colour. Transparency that shapes the interior.

Active glass in colour variants combines privacy control with a distinctive design effect. Colour is not an accessory; it becomes part of the material palette.

  • COLOUR selected for the project
  • ~1 W/m² power consumption
  • 48 V DC system voltage
Footage from a DGF installation DGF Colour active-glass samples
  • 01Privacy and colour in one pane
  • 02Variant confirmed with samples
  • 03For interiors with a strong identity

DGF solution

Technology that does not need to be hidden.

DGF Colour switchable active glass adds a considered colour effect to switchable glazing. The pane still controls privacy while shaping atmosphere and recognition.

The final variant follows light conditions, surrounding materials and the desired effect. Samples are part of the design decision because perceived colour depends on context.

Best suited to:
  • Hotels
  • Showrooms
  • Premium offices
  • Bespoke interiors

How the solution works

Colour, transparency and light must be assessed together.

DGF Colour combines the active layer responsible for switching between clear and frosted states with a selected colour effect. The colour is not a digital filter changed in an app. It is a property of the prepared glass composition, selected for the materials, lighting and scale of a particular interior.

The same sample will look different against a pale wall, dark joinery or a brightly lit lobby. Switching state also changes how light is diffused. For this reason the colour variant is confirmed on a physical sample and assessed in two views: active glass and frosted glass.

Important: a phone screen or visualisation cannot reproduce the colour and transparency of glass faithfully. The final decision should be based on a physical sample viewed beside the intended materials and in comparable light.

01

Colour remains part of the material

Control changes the state of transparency, not an arbitrary colour. The pane therefore keeps a consistent identity both as a clear partition and as a frosted surface.

02

Light changes perception

Light temperature, sun direction and the background affect saturation and depth. We therefore assess the glass in daylight and artificial light, not only on a white sample table.

03

The frosted state creates a different surface

When PDLC scatters light, the colour reads more like a surface than a transparent filter. This can become a deliberate accent in reception, wellness or display areas.

04

Consistency requires one approval reference

For several panes we define one approved variant and reference. Dimensions, installation orientation and surroundings should be documented together so the glazed field reads as one composition.

What you gain

Technology that follows the space.

The result is not defined by one parameter. It comes from the right pane, considered controls and installation detailing.

01

Colour as a material

The pane joins the interior palette instead of remaining a neutral background.

02

Two levels of expression

Switching state changes privacy and the perception of colour at the same time.

03

A confirmed variant

Selection is confirmed on a physical sample viewed in the project context.

04

Consistent integration

Power and controls are planned as carefully as the interior detailing.

From concept to commissioning

One point of responsibility. Three clear stages.

  1. 01

    Define the intent

    We define the role of colour, light conditions and adjacent materials.

  2. 02

    Compare samples

    We assess the clear and active states, ideally in the intended surroundings.

  3. 03

    Produce to size

    After sample approval, we engineer the pane, cable exits and control method.

Space and purpose

DGF Colour works where technology should also shape the identity of a place.

A coloured pane should not be an arbitrary special effect. The best results come from the interior palette, usage and how the glass appears in both states throughout the day.

01

Hotel, apartment and wellness

Privacy matched to the atmosphere

A partition beside a bathroom, spa or suite can retain a subtle tone matching timber, stone and metal when clear, then become a calm coloured backdrop when switched. The sample should be assessed in daylight and evening lighting because a hotel night scene can change colour perception completely.

Hotels and apartments
02

Reception, showroom and display

An active surface as part of the identity

In a reception or showroom colour can organise zones, reinforce the brand palette and change the character of a display backdrop. Viewing distance matters: a small sample shows the hue, but only an assessment of the full area helps set its intensity within the whole interior.

Public environments
03

Home and bespoke interior

Glass that does not look like technical equipment

At home the hue can relate to joinery, textiles or metal so the active pane becomes part of the material language. It must be viewed from both rooms: the same partition may have a pale background from the living room and a dark one from the dressing room, changing its appearance.

Residential inspiration
DGF coloured smart-glass samples

A project, not a gadget

Colour must be judged in motion, light and both states.

That is why the decision is not based on a tiny swatch. We present a physical sample, switching action and the way the material responds to light before producing the final pane.

View DGF projects

Product specifications

Facts instead of vague promises.

Every pane is technically confirmed for its final dimensions and installation. The values below describe the base product configuration.

Ask about your dimensions
Effect colour + switchable transparency
Variant selection consultation and physical sample
Base glass Opti White Pilkington, 4 mm
Layers EVA 0.8 mm + active layer
Power 48 V DC
Energy use ~1 W/m²
Dimensions made to project
Typical applications
  • hotels
  • restaurants
  • showrooms
  • receptions
  • offices
  • residences

Informed selection

Selecting DGF Colour is material specification, not choosing a colour on screen.

The hue must be considered in relation to area, light and neighbouring materials. This process separates intentional design from an accent that only looked convincing in a visualisation.

Start with the material palette

Provide samples or references for key finishes: metal, wall covering, stone and joinery. Glass colour is selected as part of that composition.

Assess both states

The same variant must work as a transparent layer and a frosted plane. Assessing only one state creates surprises after commissioning.

Account for light throughout the day

Record daylight direction, luminaire temperature and evening scenes. The glass colour will interact with all of them.

Use restraint at large scale

A hue may feel subtle on a sample but dominate across many square metres. The size of the glazed area affects the selection.

Knowledge before a decision

Build the context for an active material.

DGF Colour combines material and technical decisions. These guides help assess PDLC properties, solution limits and the role of an active surface in architecture.

Questions before a project

Clarify first. Quote second.

Pricing depends on dimensions, pane count, controls and installation. A few answers usually identify the right direction.

01Does the colour look the same in every interior?

It changes slightly with light and surrounding materials. That is why we confirm the variant on a physical sample, not only on screen.

02Does DGF Colour still provide privacy?

Yes. It is switchable active glass enhanced with a colour effect.

03How does colour selection begin?

With a short consultation covering room function, light, the material palette and the desired character.

04Can the glass colour be changed freely in an app?

No. Controls switch the glass between clear and frosted states. The selected colour effect is part of the physical pane composition and is therefore confirmed before manufacture from available variants and a sample.

05Why can a sample look different after installation?

Perception is affected by surface area, background colour, light direction, luminaire temperature and viewpoint. The sample should therefore be viewed beside the intended finishes and in both glass states.

06Will several panes form a coherent surface?

They are designed as one set with a shared approved variant, but structural joints, different backgrounds and lighting can affect each field. Pane layout and installation orientation should be documented.

07Can DGF Colour be matched exactly to a RAL reference?

It should not be assumed to match an opaque paint or printed RAL reference exactly. Glass interacts with light, background and transparency, so selection is based on available variants and a physical sample viewed beside the intended finishes.

08Does the colour reduce daylight in the room?

Each colour composition affects appearance and light transmission differently. Area, orientation and background also matter, so there is no single universal result; the appropriate variant is confirmed with a sample and the project context.

09What determines a DGF Colour quotation?

Price depends on pane dimensions and quantity, the selected composition, glazing build-up, samples, framing, power, controls and installation. For larger surfaces, pane layout and sequence are also part of the scope.

Technical consultation

Show us the space. We will select the right glass and controls.

Project and quotation

Tell us about the space. We will respond with a clear next step.

Include indicative dimensions, room type and expected effect. You can also start with a photo or plan sent in your email reply.

Jasionka 954 Aeropolis
36-006 Jasionka

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